India, historically referred to the territory bound by the Hindu Kush
and the Himalayas, is a country full of wonderful temples. These
unmatched and artistic architectures contribute richly to the Indian
cultural heritage. Temples are found everywhere in India, in villages
and in towns. The earliest temples are the rock cut and cave temples in
Ancient era was the witness when religious practices flourished the
most and temples became the world's storehouse of knowledge and
culture.. The ancient temples are more than mere places of worship.
These are sacred buildings of ultimate grace and eternal hapiness.
The temples of the Medieval Era were varied architectural styles. The
temples and the religious places built then were symbolic of the ruler
and his richness and devotion. The seeds of experimentation in religious
architecture were sown in medeival temples.
India has many splendid temples that have found a place in World
Heritage list. These temples are cynosure of all for their marvellous
architecture. These pronounce the age old customs and traditions of
India. These include Sun Temple at Konark, Khajuraho Temples, Ajanta
Caves, Brihadeswara Temple, and Sanchi Stupas.
Here is a detailed discussion on the history, and stylistics of some
of the great temples of India. Although battered by the destructive
forces of time, weather, and invading forces, the temples of India
remain as the greatest legacy of the glory of the ancient Indians. Here
is an exclusive list of ancient temples that have been a symbol of faith
and religion for ages.
In the long history of man's endeavor to grasp the fundamental truth
of being, the sages and profound thinkers of early India have helped in
solving the problems of the origin, the nature and the destiny of man
and the universe. Since then temple has acted as the entrance of
self-realization and God. Akshardham is not just a temple, but a place
of education, entertainment and enlightenment. There are 73 richly
patterned and 63 partially carved pillars.
Spread across a 23-acres, this complex is flooded with shrines,
sculptures, parks, lakes and rides. All these come together to create
the most powerful experience of Indian culture ever to exist. Dedicated
to Lord Swaminarayan and inspired by Pujya Pramukh Swami Maharaj,
Akshardham is a miracle worked by the service and devotion of thousands
The imposing 10 story high monument is made entirely of intricately
carved, 6000 tons of pink sand-stone from Rajasthan, with no steel or
cement used at all, ensuring that the monument will last for a thousand
years. More than 12 million man hours of 900 skilled craftsmen have
created this magnificent monument of 93 sculpted pillars, 40 windows
carved from both sides, and a feast of forms and filigrees. Built inch
to inch according to the ancient Sthaapatya shastras of India, no steel
has been used. Support beams are 22 ft. single piece stone blocks. The
pillars are poetry in stone, with beautiful expression from foot to
Bahai Temple - Lotus Temple
It is a very recent architectural marvel of the Bahai faith, located
in Kalkaji, south of Delhi. Shaped like a half opened Lotus flower, this
temple is made of marble, cement, dolomite and sand. It is open to all
faiths and is an ideal place for meditation and obtaining peace and
tranquility. Bahai's Temple is a marvel of modern architecture, which is
visible from several spots in south Delhi. The lotus flower signifies
purity and peace, a representation of the Manifestation of God, to the
people of India. This ancient symbol has been given a modern and
contemporary form in the structure of the Bahai House of Worship drawing
into its sanctum sanctorum people from all races, religious backgrounds
and culture from around the globe. It represents the Bahai faith, - an
independent world religion; divine in origin, all embracing in scope,
broad in its outlook, scientific in its method, humanitarian in its
principles, and dynamic in the influence.
The Bahai Faith
The Bahá'í Faith is the youngest of the world's independent religions.
Its founder, Bahá'u'lláh (1817-1892), is regarded by Bahá'ís as the most
recent in the line of Messengers of God that stretches back beyond
recorded time and that includes Abraham, Moses, Buddha, Zoroaster,
Christ and Muhammad.
The central theme of Bahá'u'lláh's message is that humanity is one
single race and that the day has come for its unification in one global
society. God, Bahá'u'lláh said, has set in motion historical forces that
are breaking down traditional barriers of race, class, creed, and nation
and that will, in time, give birth to a universal civilization. The
principal challenge facing the peoples of the earth is to accept the
fact of their oneness and to assist the processes of unification.
One of the purposes of the Bahá'í Faith is to help make this
possible. A worldwide community of some five million Bahá'ís,
representative of most of the nations, races and cultures on earth, is
working to give Bahá'u'lláh's teachings practical effect. Their
experience will be a source of encouragement to all who share their
vision of humanity as one global family and the earth as one homeland.
Bahai Houses of Worship
Bahai house of worship are open to all peoples. Although their
architectural styles differ widely, the nine sides and central dome
common to all of them symbolize at once the diversity of the human race
and its essential oneness. Devotional programs are simple, consisting of
prayers, meditations, and the reading of selections from the sacred
scriptures of the Bahá'í Faith and other world religions. Music is
provided by unaccompanied choirs.
The Grand Structure of Bahai Temple
In the raising of the House of Worship in New Delhi traditional Indian
means of construction were employed coupled with the most modern Western
engineering design. Fariborz Sahba, Canadian architect of Iranian
origin, spent 10 years in designing and project management, and with the
help of a team of about 800 engineers, technicians, artisans and workers
brought to realisation one of the most complicated constructions in the
world. Rising pure and unsullied above stagnant, muddy waters, the
Indians have seen this flower as worthy of emulation, teaching them to
be detached from material preoccupations.
This temple joins six other Bahai temples around the world. Each of
these Houses while sharing some basic design concepts, has its own
distinct cultural identity embodying the principle of unity in
diversity. The structure of the House is composed of three ranks of nine
petals; each springing from a podium elevating the building above the
surrounding plain. The first two ranks curve inward, embracing the inner
dome; the third layer curves outward to form canopies over the nine
entrances. The petals, constructed of reinforced white concrete cast in
place, are clad in white marble panels, performed to surface profiles
and patterns related to the geometry. Nine arches that provide the main
support for the superstructure ring the central hall. Nine reflecting
pools surround the building on the outside, their form suggesting the
green leaves of the lotus flower. Translating the geometry of the
design, in which there are virtually no straight lines, into the actual
structure presented particular challenges in designing and erecting the
Not only was it difficult to align, so as to produce accurately the
complex double-curved surfaces and their intersections, but also the
closeness of the petals severely restricted workspace. Nevertheless the
task was carried out entirely by the local labourers. Thanks to each one
who contributed in its construction. To avoid construction joints,
petals were concreted in a continuous operation for approximately 48
hours. Concrete was carried up the staging by women bearing 50-pound
loads in baskets balanced on their heads. All the steel reinforcing for
the shells of the lotus petals was galvanised to avoid rust stains on
the white concrete in the prevailing humid conditions, guaranteeing the
life of the delicate shell structure of 6 to 18 cm thick shells of the
petals. India is well endowed with human resources.
The architect believes that this design could not have been executed
anywhere else because it is rare to find the combination of traditional
craftsmanship, pride in one's work, empathy for spiritual undertaking,
perseverance under all odds and ample patience, as can be found in the
Indian sub-continent. As commented by progressive Architecture of USA in
their article on the Bahai Temple "It goes to prove that high-tech
concepts do not always demand high-tech solutions." The Indian visitors,
from the most sophisticated to the most simple, expressed perplexity at
the absence of any idols. It has been a hard task since explaining to
them that the all-pervasive Almighty cannot be put in any limited form.
Hence, over the years the visitors from India have begun to understand
that the purpose of the Bahai House of Worship is to unite the hearts of
the people and bring them closer to their Creator.
Since its inauguration to public worship in December 1986, the Bahai
House of Worship has drawn to its portals more than 50 million visitors,
making it the most visited edifice in the world. People have come
regardless of the scorching summer heat of Delhi, which sometimes rises
above 40°C during the months of June to September, and have braced the
chill and cold rains that Delhi experiences during winter. They have
admired the beautiful lotus form of the Temple, and have been fascinated
by the teachings of the Bahai Faith, which believes in oneness of God,
oneness of religions and oneness of mankind.
The Laxmi Narayan Mandir (temple) built by B.D. Birla is a modern
Hindu temple dedicated to Laxmi (goddess of wealth) and Narayana (the
preserver). It was inaugurated by Gandhi with the stipulation that it
should be open to all castes (including the untouchables) and all
faiths, so it is more welcoming to foreigners than the average temple.
After visiting so many ancient Hindu temples, it was fun to see a
modern functioning one. The whole temple was quite garish, and noisy
with chants over the loud speaker system, but it was also strangely
peaceful. In the garden there was a tree wound with colored strings, and
two women were praying at the foot.
This temple was built over a six year period (1933 - 1939) and was
opened by Mahatma Gandhi.
The highest tower in the temple reaches a height of 165 feet while
the ancillary towers reach 116 feet. The Geeta Bhavan, a hall is adorned
with beautiful paintings depicting scenes from Indian mythology. There
is also a temple dedicated to Buddha in this complex with fresco
paintings describing his life and work. The entire complex, especially
the walls and the upper gallery are full of paintings carried out by
artists from Jaipur in Rajasthan. The rear of the temple has been
developed as an artificial mountainous landscape with fountains and
This is one of the landmarks in the nation's capital New Delhi. It
was built in the 20th century by the Birla family of industrialists
known for its many other temples in India. It is modern in concept and
construction. It attracts several devotees and international tourists.
The presiding deity here is Lakshmi Narain (Vishnu).
Other Shrines in the temple Durga and Shiva are the other major
deities housed in this temple. Mention must be made of the Buddha temple
in this complex. Access and Accommodation: Accomodation is available in
the temple guest house for out of town travellers especially for
international scholars pursuing knowledge in Sanskrit or in the Hindu
Cave (Badami) Temple
Situated in North Karnataka, Badami was founded by Pulakesin I in the
6th century A.D and was once the capital of the Chalukya empire. The
Chalukyas are to be acknowledged with path-finding a new architectural
style, examples of which can be seen in Badami, Aihole, Pattadakal and
other neighboring areas. They built a number of temples, and other
monuments that marked the beginning of the Hindu style of architecture.
This new style combined the best of two distinct styles - the North
Indian, Indo-Aryan Nagara style and the South Indian Dravidian style.
Known as the Chalukyan style, this style is manifested in many cave
temples, dedicated to Brahmanical deities, as well as the many Buddhist
and Jain monasteries in the region.
The caves found here are as follows
Cave 1 :
The first cave made of red sandstone, dates back to 578 A.D. and was
probably the first to be carved. One has to climb up 40 odd steps to
reach the colonnaded verandah, a hall with numerous pillars and a square
shaped sanctum hollowed in the control back wall.
Cave 2 :
Dedicated to lord Vishnu depicted here as a dwarf or 'Trivikrama' of
awesome dimensions with one foot mastering the Earth and the other the
sky, the second cave is atop a sandstone hill.
Cave 3 :
Still going higher up one comes across this cave antedating 578 A.D. The
facade of the cave is nearly 70 feet wide, on the plinth one can see the
carvings of ganas. The sheer artistry and sculptural genius makes this
cave the highlight of Deccan art.
Cave 4 :
The only Jain cave, the construction of Cave four started in the 6th
century and completed after nearly 100 years later then the earlier
Situated in the capital of India, the Chattarpur Mandir is a fine
example which presents Delhi a place that has some spectacular Hindu
Temples to it's credit. 4-km away from Qutb Minar, stands the flamboyant
and rich temples of Chattarpur. Made of shining white marble, these
temples are very popular with the city's Hindus and the queues during
Durga Puja have to be seen to be believed. The main temple dedicated to
goddess Durga is built in South Indian style.
The temple complex is spread over a large area with beautiful lawns
and gardens. Though devotees visit these temples throughout the year,
the main attraction comes during the Navarathri festival, when devotees
come from far and near. During this time, there are special bus services
provided to the devotees.
Chattarpur Mandir Delhi
Address :- Mehruli Gurgaon Road, Near Qutub Minar
City :- New Delhi
State :- Delhi
Location :- North India.
the most popular Hindu temples around Delhi, Chhatarpur Temple is
located at a distance of 4 kms. from Qutb Minar. Extended over a wide
area in serene ambiance, the temple presents a classic example of
modern temple architecture that embodies extensive use of marbles. The
main Temple is dedicated to goddess Durga, while the devotees can also
worship Shiva, Vishnu, Lakshmi or Ganesh in adjoining temples.
The temple complex is spread over a large area with
beautiful lawns and gardens. Though devotees visit these temples
throughout the year, the main attraction comes during the Navarathri
festival, when devotees come from far and near. During this time,
there are special bus services provided to the devotees.
Gujarat has been a gateway of commerce and culture between the East
and the West and is one of the oldest civilizations on the earth. Dwarka
is one of four most scared pilgrimage centers (Chardham) of Hindu faith
and is associated with Lord Krishna's life. The main giant ornate shrine
is situated on the western most tip of saurastra. According to the epic
Mahabharata, the city in due course was submerged by the sea. The
submergence of Dwarka and the cause of submergence are of historical and
oceanographic interest because of historic Dwarka is likely to throw
light on the Dark Age of Indian history.
Ornate, exquisite and majestic, Dwarkadhish Temple (Jagat Mandir) is
one of the most imposing five- storied structures of Hindu architecture
in Gujarat on the confluence of river Gomti and Arabian sea. The
five-storey high temple is built on seventy-two pillars. The temple
spire is 78.3m high. From the temple dome waves an eighty-four foot long
multicolored flag decorated with the symbols of the sun and moon. Lord
Krishna's grandson, Vajranabha, is said to have built the original
temple of Dwarkadhish over the hari-griha (Lord Krishna's residential
The sanctum of the temple is formed by the Jagat Mandir, or Nija
Mandir, which dates back at least 2500 years. The Jagat Mandir has a
tall tower and a hall of audience. There are two entrances to the
temple. The main entrance (north entrance) is called "Moksha Dwara"
(Door to Salvation). This entrance leads to the main market. The south
entrance is called "Swarga Dwara" (Gate to Heaven). Outside this doorway
are 56 steps that lead to the Gomati River.
Dwarka, on the west coast of Gujarat on the shore of the Arabian Sea,
features in most of the legends surrounding Lord Krishna. It is from
here that the grown Lord Krishna is supposed to have ruled his kingdom.
Dwarka is a significant pilgrimage site for the Hindus.
Dwarka is sanctified as the place where Lord Vishnu slew the demon
Shankhasura. The Puranas mention the 12 Jyotirlingas or columns of light
representing Lord Shiva which manifested in different parts of the
country. One of these is located in Dwarka and is known as the Nageshwar
Mahadev. The Jagat Mandir or Nij Mandir forms the sanctum of the
Dwarkadish temple and dates back to 2500 years. Jagat Mandir has its own
hall of audience and a conical spire. The roof of the hall is supported
by 60 columns and the main temple rises five storeys high. The spire
rises to a height of 157 feet and is richly carved. One of the most
popular temples in Dwarka is that of Rukmini, Krishna's wife, considered
an incarnation of Goddess Lakshmi, the goddess of wealth and beauty. The
Sharad Peetha, one of the four Maths established by Jagatguru
Shankaracharya, is also situated here.
Dwarka is situated in the extreme west of the Indian state of Gujarat
in the Saurashtra peninsula on the Arabian Sea. It lies on 20°22' north
latitude and 69°05' east longitude. The city is built on the right bank
of Gamut creek.
Dwarka is an important pilgrimage center. It is steeped in legends,
being associated with the life of Lord Krishna. In Puranic times,
present-day Dwarka was known as Kushasthali or Dwaravati and enjoyed
pride of place as the most important spot on the Saurashtra coast. It is
said that Lord Krishna, after slaying Kansa, left his abode at Mathura
and traveled with the entire Yadava community to the coast of Saurashtra
where he founded a town and named it Swarnadwarika.
Vajranabh, Lord Krishna's successor and great grandson, is believed
to have built the present temple Dwarkanath, also called Trilok Sundar.
Many Hindus fervently believe that the temple was erected in one night
by a supernatural agency, under Vajranabh's direction. Legend has it
that when dying, Lord Krishna asked his devotees to leave Swarnadwarika
so that the sea could engulf it. Until this day, Lord Krishna's city
lies buried under the sea. Excavations have revealed that the sea
swallowed five settlements, the present-day Dwarka being the sixth in
The temple of Dwarkadheesh, also known as Jagat Mandir, is built on
the north bank of the Gomti Creek. The temple dates back to 2,500 years.
Architecturally the temple is constructed on the same plan and system as
most of the Hindu sacred edifices of antiquity. Sixty columns support
the roof of the audience hall of the Jagat Mandir. The main temple is
five-story high with the lavishly carved conical spire rising to a
height of 157 feet. There is the one-meter tall, four handed black idol
of Ranchhodrai, the ruler of Dwarika. Amongst the large number of
temples belonging to different periods in the history of Dwarka, the
most popular with pilgrims is the temple of Rukmini, Lord Krishna's
wife, who is considered an incarnation of Lakshmi, the goddess of wealth
In addition to its temples and legends, Dwarka is also sanctified as
the seat of Adi Shankaracharya, who established four seats (maths) in
four different directions in the country. Research work in Sanskrit is
carried on at the Shankaracharya's seat known as Sharad Peetha.
Rukmini Devi Temple
This small temple, 1.5km north of town, is an architectural masterpiece.
Rukmini is the most important of Krishna's 16,108 wives. The temple
walls are decorated with beautiful paintings depicting her pastimes with
Krishna. This temple is said to date back to the 12th century.
The story behind this temple is that one day, Durvasa Muni, who is
easily angered, was invited by Lord Krishna and his wife, Rukmini, to
dinner. When a person is invited to dinner, etiquette dictates that the
host should not eat until the guest has been satisfied. On the way to
dinner, Rukmini became thirsty and asked Krishna for help. Krishna then
put his foot in the ground and the Ganges waters flowed forth from the
earth while Durvasa was not looking. As Rukmini was drinking the water,
however, Durvasa turned and saw her drinking without his permission. He
became angry and cursed her to live apart from Lord Krishna. That is why
Krishna's temple is in the town and hers is located outside the town.
Gomati Ghat Temples
Gomati, the descended Ganges, meets the sea at Chakra-tirtha Ghat. To
take bath where the Gomati meets the ocean is said to offer liberation.
If you go out the back entrance of the Dwarkadish Temple, you can see
the Gomati River. The temple is located almost at the spot where the
Gomati meets the ocean.
The Samudra Narayana Temple (Sangam Narayana) is an imposing temple
at the confluence of the Gomati and the sea. Panchanada Tirtha consists
of five sweet-water wells surrounded by seawater. At Chakra Narayana,
Lord Vishnu was manifested as a stone marked with a chakra on the
seashore. The Gomatiji Temple has an image of the Gomati River in it,
said to have been brought down from heaven by Vasistha Muni.
Other Pilgriamge Attractions
Nageswara Mahadeva Temple contains one of the twelve Siva Jyotirlingas
in an underground sanctum. It is located 10km from Dwarka.
Gopi-tallava is the kund (pond) where Lord Krishna met the gopis when
they came to see him at Dwarka. The sacred clay from Gopi-tallava is
known as gopi-candana and is used by devotees of Krishna to make the
tilak marks on their bodies. It is 20km north of Dwarka on the way to
The spot where Lord Krishna was mistaken for a deer and struck by a
arrow hile sleeping in a deerskin. It is said Lord Krishna was cremated
at Dehotsarga at Triveni Ghat.
Closeby lies Somnath with its shrine built by Soma, the Moon God. The
Majestic monument as it stands today is a recent replication of the
earlier construction. It is said that the original temple built by the
Moon God was of gold. After it was razed to the ground it was rebuilt by
Ravana in silver. When the silver temple was knocked down it was
reconstructed in wood by Krishna and when this was pulled down an
edifice of stone was erected by Bhimdev. Relics of the old Somnath
shrine have been preserved in a museum housed in a temple. An
interesting Sun Temple is also located in Somnath. Somnath is also one
of the 12 Jyotirlingas or Shiva shrines in India.
Janmashtami (birthday of Lord Krishna), celebrated in the month of
August/September, is a major festival of Dwarka.
Known as the protector deity of Mewar, Eklingji Temple is located
about twelve miles to the North of Udaipur in Rajasthan. This deity was
regarded as the pragmatic ruler by the Maharajas of Mewar - who
considered themselves to be regents (Dewans) under Eklingji. A beautiful
town, Eklingji attracts thousands of visitors throughout the year. This
temple is said to have been founded by Acharya Viswaroopa a contemporary
of Adi Sankaracharya and is linked with the Sharada Math at Dwaraka
founded again by Adi Sankaracharya.
The temple occupies an area of about 2500 sq. feet and is about 65
feet in height. The temple area is fortified and a strong wall runs
around it. The main entrance to the temple on the Western side welcomes
visitors into a big hall resting on profusely carved pillars. In this
hall, is a silver image of Nandi. There are two more Nandis in the
temple, one made of black stone and the other of brass.
Other deities housed in the temple complex include Parvati, Ganesh,
Ganga, Kartikeya, Yamuna and Saraswathi. There are also small temples
dedicated to Ambamata, Kalka Mata and Ganesh in the temple complex.
There is another temple called Nathon Ka Mandir in the temple complex
with inscriptions dating back to the 10th century CE. No worship is
The Golden Temple or Darbar Sahib, situated in Amritsar, Punjab, is
the most sacred temple for Sikhs. It is a symbol of the magnificence and
strength of the Sikh people all over the world. In the evolution of the
Darbar Sahib, is entwined the history and ideology of Sikhism. In its
architecture are included, symbols associated with other places of
worship. This is an example of the spirit of tolerance and acceptance
that the Sikh philosophy propounds. The history of the Darbar Sahib
starts with Guru Amar Das, who took the first steps towards building a
shrine. Around the Golden Temple, the holy city of Amritsar came into
being. His successor, Guru Ram Das, came to live near this tranquil and
peaceful site, and started building the pilgrimage centre around the
small pool, (later to become the Sarowar) which had intially drawn Guru
By the time of Guru Ram Das' death, the pre eminence of the Darbar
Sahib among the sikh devotees was unquestionable.
The Harmandir Sahib, or the sanctum sanctorium, was envisoned by Guru
Arjan Dev. This was concieved by him to reflect the resoluteness,
clarity and simplicity of the Sikh relegion. The Harmindir Sahib today
stands as the hallowed symbol of the indestructability of the Sikh
The gilding, marble, mirror and inlay work on the Harmandir Sahib
came much later. It was the nineteenth century during the reign of
Maharaja Ranjit Singh, that the proud people of Punjab lavished their
wealth on their shrine in Amritsar.
The Granth Sahib, the holy book of the Sikhs, was installed in the
Harmandir Sahib in 1604, three years after its completion. The location
of the Granth Sahib here, adds to the sanctity & reverence of the
Harmandir Sahib. Here lies the heart of Sikhism. This symbol of abiding
faith and tolerance is held in high esteem by every Sikh. And this is
the place which every Sikh dreams, ever so often, of visiting.
The fourth biggest temple in India in terms of the number of devotees
per day, Guruvayoor Temple dedicated to Lord Krishna. Though the
devotees worship him as Lord Krishna, the deity is that of a complete
man incarnation of Lord Maha Vishnu with four arms. This shrine is
popularly known as the Dwaraka of south and is in the form of a
rectangle. There are a lot of mural paintings around the Shrine. Being
one of the most sacred and important pilgrim centres of Kerala, it is
probably the only temple in the state that hosts the maximum number of
marriages and rice feeding ceremony, the ritual first meal for infants.
The Guru along with his disciple Vayudeva (god of air), found a place
which was recommended by Lord Paramashiva. Thus the Guru and Vayu
installed this deity and Paramashiva named the place as Guruvayoor. The
idol is carved out a stone called 'Pathala Anjana Sila' and is utmost
sacred. The place selected for the installation was suitably sacred by
the presence of Lord Shiva.
The outer enclosure has a 33.5-m tall gold-plated flag post and there
is also a 7 m high pillar of lamps, whose thirteen circular receptacles
provide a truly brilliant spectacle, when lit. The square 'Sreekovil' is
the sacred sanctum sanctorum of the temple, housing the main deity.
Within the temple, there are also the images of Ganapathy, Sree Ayyappa
and Edathedathy Kavil Bhagavathy. Only Hindus are allowed inside the
Iskcon Temple Delhi
Address :- Sant Nagar Main Road, East of Kailash
City ;- New Delhi
State :- Delhi
Location :- North India
many this is just a temple, for finding solace, peace and quiet.
Sitting amongst Lord Krishna and his devotees with Hare Krishna chants
going around is indeed an experience. But for those who are seeking
more, there is so much to learn and see, than what meets the eye.
restaurant to a museum in the making, a library and a special
animatronics show, ISKCON has it all. While looking around if you get
hunger pangs, you need not go further than the completely vegetarian
temple dedicated to the Lord Krishna is built on a hilly place by the
Hare-Rama Hare- Krishna cult followers. It was completed in 1998, this
is a complex of Temples Architecture isone of the largest temple
complexe stands at Hari Krishna Hill, Sant Nagar Main Road, East of
Kailash, Delhi, India. Currently the main attraction of the temple is
the Robort, who enact and preach the Gita.
Bhaktivedanta Swami Prabhupada is the founder acharya of the hare
krishna movement. Completed in 1998, this is a complex of temples. The
International Society for Krishna Consciousness (ISKCON) was initially
raised as a spiritual society in New York to Propagate the message of
the Bhagwad Gita. It was founded by Swami Prabhupada.
A.C. Bhaktivedanta Swami Prabhupada is the founder acharya of the
hare krishna movement. Completed in 1998, this is a complex of
temples. The International Society for Krishna Consciousness (ISKCON)
was initially raised as a spiritual society in New York to Propagate
the message of the Bhagwad Gita. It was founded by Swami Prabhupada.
In India there are about 40 ISKCON temples. Contemplating the
traditions of the ancient Vaishnava tradition, its philosophy and
practice, these spiritual temples have left a mark on all mankind.
Visiting these temples proves to be a pleasant and revealing
ISKCON temples are dedicated to Lord Krishna and were built by the
Hare-Rama Hare-Krishna cult followers. These complexes are elegantly
built and are few of the largest temple complexes in India. There are
beautiful paintings of Russian artists on the different past times of
Radha Krishna, Sita, Ram, Laxman, Hanuman and Chaitanya Mahaprabhu.
Special programmes like Kirtan, Aarti, Pravachan and Prasadam are held
Famous ISKCON Temples In India
ISKCON Temple, Delhi
For many this is just a temple, for finding solace, peace and quiet.
Sitting amongst Lord Krishna and his devotees with Hare Krishna
chants going around is indeed an experience. But for those who are
seeking more, there is so much to learn and see, than what meets the
ISKCON Temple, Bangalore, Karnataka
The ISKCON Temple was built recently by the International Society
for Krishna Consciousness. As you climb the granite steps you will
encounter three small shrines before the main temple. The three
idols of Lord Krishna in the main shrine are made of brass.
ISKCON Temple, Vrindavan, Uttar Pradesh
It is located within the premises of the Krishna-Baldev Temple in
Vrindavan. Beautiful paintings depicting the life of Lord Krishna
adorn the galleries leading to the main temple. ISKCON devotees from
various parts of the world can be spotted manning the library or
ISKCON book stalls and partaking in temple rituals.
ISKCON Chandradoya Mandir, Mayapur, West Bengal
This is the international headquarters of ISKCON. Surrounded by: a
Vedic city, the main Deities are Sri Radha Madhava. The Deities are
larger than life-size. There are also eight Gopis, four on each side
of Radha-Madhava. Also on the main altar is a small set of Radha-Krishna
Deities. On the left altar are Deities of the "Pancha-Tattva-Advaita
Acarya", Lord Nityananda, Lord Chaitanya, Gadadhara, and Srivasa
Thakur. To the left of this altar is another altar with an
impressive Deity of Lord Narasimha.
Built in the year of AD 950, Mukteswara temple is dedicated to Lord
Shiva, and is carved with figures of ascetics in several poses of
meditation. The highlight of the temple, is the magnificent torana - the
decorative gateway, an arched masterpiece, reminiscent of Buddhist
influence in Orissa.
This temple is considered to be the gem of Orissan architecture. The
sculptured gateway, the Jagamohana with diamond shaped latticed windows
and decorated interiors and the plethora of sculptural work all deserve
mention in this temple dedicated to Shiva Although it is only a small
monument rising to a height of 35 feet. Literally every inch of its
surface is carved. This temple has also been described as a dream
realized in sandstone and it is a monument where it is said sculpture
and architecture are in complete harmony with one another. This temple
dates back to the 10th century.
The sculptural decoration of the Mukteswara is exquisitely executed.
The beautiful sculptures eloquently speak of the sense of proportion and
perspective of the sculptor and their unique ability in the exact
depiction of the minutest objects. The builders of Mukteswara Temple
introduced new architectural designs, new art motifs and new conceptions
about the icnography of the cult images. There are a number of
depictions of skeletal ascetics among the sculptural images, most of
them shown in teaching or meditation poses, which seems appropriate as
the name Mukteswara means "Lord who gives freedom through Yoga".
No text can do justice to the Meenakshi temple. The gigantic temple
complex, the statues exploring the entire range of human emotions,
everything here is larger than life. The Meenakshi temple complex is a
city temple - one of the largest and certainly one of the most ancient.
According to legend Madurai is the actual site where the wedding between
Shiva and Meenakshi took place. The soaring and exquisitely carved
towers enclose the temple dedicated to Meenakashi. The south gateway
contains the twin temples of Shiva and Meenakshi and is about nine
The Sri Meenakshi Sundareswara temple and Madurai city originated
together. According to tradition, Indra once committed sin when he
killed a demon, who was then performing penance. He could find no relief
from remorse in his own kingdom. He came down to earth. While passing
through a forest of Kadamba trees in Pandya land, he felt relieved of
his burden. His servitors told him that there was a Shivalinga under a
Kadamba tree and beside a lake. Certain that it was the Linga that had
helped him; he worshipped it and built a small temple around it. It is
believed that it is this Linga, which is till under worship in the
Madurai temple. The shrine is called the "Indra Vimana".
Once Dhananjaya, a merchant of Manavur, where the Pandyas had arrived
after the second deluge in Kumari Kandam, having been overtaken by
nightfall in Kadamba forest, spent the night in the Indra Vimana. When
next morning he woke up, he was surprised to see signs of worship.
Thinking that it must be the work of the Devas, he told the Pandya,
Kulasekhara, in Manavur, of this. Meanwhile Lord Shiva had instructed
Pandya in a dream to build a temple and a city at the spot Dhananjaya
would indicate. Kulasekhara did so. Thus originated the temple and city.
Paranjothi Munivar wrote the Tiruviayadal Puranam in the sixteenth
century. It is regarded as the temple's Sthalapurana. An earlier work
adds a few celestial sports not included in the latter. These are, or
rather were painted on the walls around the Golden Lily Tank. Some of
the painted wooden panels are in the Temple Museum.
The earliest references available to any structure in this temple is
a hymn of Sambhandar's, in the seventh century, which refers to the "Kapali
Madil". The present inner walls of the Lords shrine bear this name
today. In the early times the entire temple must have been confined to
the area between these walls, and the structures must have been of brick
In the 14th century an invasion by Malik Kafur damaged the temple. In
the same century Madurai was under Muslim rule for nearly fifty years.
The temple authorities closed the sanctum, covered up the Linga, and set
up another in the Ardhamandapa. When the city was liberated, the sanctum
was opened, and, tradition says the flower garlands and the sandalwood
paste placed on the Linga were as fresh as on the first day, and two oil
lamps were still burning.
Ashta Sakthi Mandapa is a convention in this temple, different from
that followed in others, that the devotee offers worship first to
Goddess Meenakshi. Therefore, while there are four other entrances into
the temple, under huge Gopuras in the four cardinal directions, it is
customary to enter not through any of them but through a Mandapa, with
no tower above it. This entrance leads directly to the shrine of the
This Mandapa is an impressive structure, with a hemispherical
ceiling. It is 14m long and 5.5m wide. There are bas-reliefs all over
the place. Over the entrance one of them depicts the marriage of Goddess
Meenakshi with Lord Somasundara. The Mandapa derives its name, the "Ashta
Sakthi", from the fact it contains sculptures of the eight Sakthis (also
spelt as Shakti). Those of the four principal Nyanmars were added during
renovation of the temple in 1960-63.
A smaller Mandapa connects the large one with another large one with
another large hall, called the "Samagam Meenakshi Naicker Mandapa",
after its builder, a minister of Vijayaranga Chokkanatha (1706-32), who
erected in 1707. In former times the temple's elephants camels and bulls
used to be stabled here. A brass "Tiruvatchi" holding a thousand and
eight lamps stands here, 7.6m high. Marudu Pandya, one of the early
opponents of the growing British power, installed it.
The Meenakshi Naicker Mandapa is a huge hall, 42.9m long and 33.5m
wide. It contains 110 stone columns, each 6.7m high. There are yalis in
the capital and delicate reliefs below. Some of the carvings are
The Mudali Pillai Mandapa follows the Chitra Gopura. Added in 1613,
it is 183m long and 7.6m wide. On its wall are many puranic scenes. It
used to be without any natural light, but windows were added in the last
The lovely and historic Golden Lily tank then comes into view. It is
from its banks that most popular photographic views of the temple are
taken, showing the gigantic south outer Gopura. The northern corridor
leads directly to the shrine of the Goddess. On its pillars are the
images of some of the Sangam poets, of Kulasekhara Pandya, the first
builder of the temple, and of Dhananjaya, who figures in the traditional
story of its origin. There is no fish in the tank.
The corridors around the tank are rightly called the "Chitra Mandapa",
for the walls carry paintings of the divine sports of the Lord, as
narrated in the "Tiruvilayadal Puranam". They have been renewed from
time to time. A short while ago there were paintings on wooden panels
affixed over an older series. They have since been removed to the Temple
Museum in the thousand-pillared Mandapa, leaving some dilapidated murals
to view. It is impossible to ascertain the date of these.
It was in the sixteenth century that the corridors and the steps
leading down to the tank were constructed; the northern corridor and
steps in 1562, those on the east in 1573, and those on the south five
Two Mandapas, the Unjal and the Kilikatti, stand on the farther way
to the shrine of the Goddess. On their ceilings are more paintings. A
celebrated mural, opposite to the entrance of the shrine, depicts the
marriage of Goddess Meenakshi. The Kilikatti Mandapa derives its name
from the fact that there are parrots in a cage here. On its walls are
carvings of the divine sports. The most ornamental of the temple's
Mandapas, it was built in 1623.
A Gopura of three tiers stands over the entrance from this Mandapa
into the shrine of the Goddess. Built in 1227 by Vambathura Ananda
Tandava Nambi, it is named the Vambuthurar Gopura after him. The shrine
consists of a square sanctum, an Ardhamandapa and a Mukhamandapa. In the
niches on the walls of the shrine are images of Iccasakthi in the south,
Kriyasakthi in the west, and Jnanasakthi in the north. There are shrines
of Vinayaka and Subramanya in the outer Prakara. They probably belong to
the fifteenth century.
There are a number of historic shrines in the Prakaras. Opposite to
an entrance into the first from the Mahamandapa there is one of Lord
Sabhapathi. This is the famous Velliambalam where one of the Lord's
divine sports took place when, at the request of the sages, Patanjali
and Vyagrapadha, He danced as Lord Nataraja.
In the second Prakara a shrine, now called that of the Sangam poets,
contains images of many of them. In the same Prakara there is a shrine
apparently dedicated to Kariyamanikka Perumal, but now empty. Also in
the same Prakara there is a row of fourteen small shrines, called the "isvarams".
Many of them contain Lingas.
The famous festivals held at Madurai, include Teppam festival, the
annual Float Festival, wherein the images of Sri Meenakshi and Lord
Sundareswara (also spelt as Sundreshwara) are mounted on floats, and
taken to Mariamman Teppakkulam Tank, where for several days they are
pulled back and forth across the water in the middle of the tank, on an
illuminated raft embellished with flowers, before being taken back to
the main temple.
The annual solemnization of the marriage of Meenakshi with Lord
Sundareshwar (Shiva) is one of the most spectacular temple festivals at
Madurai's famous Meenakshi temple in Tamil Nadu. Car processions of the
goddess and the god are some of the colourful features of this festival.
Meenaskhi Kalyanam, the wedding festival of Goddess Meenakshi and
Lord Sundareshwar is celebrated for twelve days from the second day of
the lunar month (i.e. two days after the new moon). This is a
spectacular festival celebrated in the month of Chaitra (April-May).
The festival is characterized with royal decorated umbrellas, fans
and traditional instrumental music. Scenes from mythology are enacted
and the deities of Lord Shiva, Goddess Shakti and Goddess Meenakshi are
taken out in a colourful procession. Thousands of devotees from all over
the country gather in the city of Madurai on this occasion.
Situated in the ancient capital of the Kalinga empire, Bhubaneswar's,
the Lingaraja Temple is probably one of India's most remarkable ancient,
architectural achievements, with a 54-meter tower dominating the
landscape. Encapsuled by high walls on all sides, the Lingaraja temple
or the Bhubaneshwar is one of the most well known temples in Orissa. It
is one of the best and splendoured examples of the architectural
excellence which the artists had achieved during the 11th century.
The outer walls of the temple exhibit unparalled carvings. The
beautifully carved and sculpted images of various God and Goddess are
unrivalled. The temple complex has three compartments and each one has a
temple each. Towards south of the entrance to main temple is image of
Lord Ganesha, at the back is the image of Goddess Parvati and to north
is Lord Kartikya. The Lingaraja temple has got various pillars and halls
which add to its beauty.
The vast Bindu Sagar lake is the center around which are located the
multitude of temples of Bhubaneshwar. The Lingaraja temple is located in
a spacious courtyard covering over 250000 sq feet and is bounded by
fortified walls. Its tower rises up to 180 feet and is elaborately
Situated on the eastern coast along the blue waters of the Bay of
Bengal, Orissa offers to magnificent temples, sunny beaches, colourful
wildlife, traditional tribal culture and a rich heritage. While several
temples have vanished or have declined in importance, the great temple
of Lord Jagannath at Puri is still a living and vibrant temple. Over the
centuries it has attracted kings, conquerers, religious teachers,
devotees and pilgrims. In the minds of the millions of Indians, Orissa
is the land of Jagannath. This temple of Lord Jagannath at Puri is one
of the most sacred pilgrimage spots in India, one of the four abodes (dhamas)
of the divine that lie on the four directions of the compass.
The temple of Jagannath Puri is a rekha dwell with curvilinear tower
on a pancha ratha plan and was built by Ananta Barma Chodaganga Dev
during 12th century A.D. and was completed by Ananga Bhima Dev. This
temple is one of the tallest monuments in the country, height is about
214 feet from the ground level. It stands on an elevated platform of
stone measuring about 10 acres, which is located in the heart of the
down town and presents an imposing sight.. The temple has four gates at
the eastern, southern, western northern midpoints of the Meghanad
Prachir and are called Lions gate, Horse Gate, Tiger Gate and the
Elephant Gate respectively.
Lord Jagannath, the symbol of universal love and is worshiped in the
Temple along with Balabhadra, Subhadra, Sudarshan, Madhaba, Sridevi and
Bhudevi on the Ratnabedi or the bejewelled platform. The Deities, Lord
Jagannath, Balabhadra, Subhadra and Chakra Sudarshan are made of margosa
Maha-prasada is pure vegetarian spiritual food offered to Lord
Jagannath. Just by eating this maha-prasada one makes great spiritual
advancement. Every day, fifty-six varieties of prasada are offered to
Lord Jagannath. The main offering of the day becomes available anywhere
from 3 to 5 pm (sometimes later). The offering times are not exact and
change day by day.
One of the 51 Shaktipiths of India, the temple of Jwalamukhi is in
Jwalamukhi town which is about 70 kilometers from Dharamsala. Jwalamukhi
is a famous temple of Goddess Jwalamukhi, the deity of flaming mouth,
believed to be the manifestation of the Goddess Sati. The building is
modern with a gilt dome and pinnacles, and possesses a beautiful folding
door of silver plates. The Devi appears in the form of nine different
flames. The principal one is believed to be Mahakali. The other eight
flames at different places in the temple represent the following
Goddesses Annapurna, Chandi, Hing Laj, Vidhya Vasini, Maha Lakshmi, Maha
Sarswati, Ambika and Anjana.
In princely times, temple affairs were guided and supervised by the
princely state of Nadaun. In 1809, Maharaja Ranjit Singh visited the
temple and after dyeing his hand in saffron, stamped an agreement in the
temple premises with Raja Sansar Chand-the local ruler. Later after
tasting success in the Afghan war, Maharaja Ranjit Singh gilded the roof
of the Jwalamukhi temple as a thanksgiving. His son Kharak Singh,
presented to the temple a pair of silver plated folding doors.
The deity is- offered Bhog of Rabri or thickened milk, Misri or
candy, seasonal fruits, milk and arti is done. The puja has different
'phases' and goes on practically the whole day. Arti is done five times
in the day, Havan is performed once daily and portions of "Durga
Saptasati" are recited.
Kailash Temple is situated at Ellora and is believed that it was
constructed by excavating approx. 200,000 tones of rock and is possible
the world's largest monolithic structure. Representing Shiva's Himalayan
home, the temple is exquisitely sculpted and is considered as one of the
most astonishing 'buildings' in the history of architecture. A crowning
glory of the art, Kailash temple at Ellora is indeed unique. Instead of
carving down into the face of a cliff and creating underground halls
which had been the practice, the sculptors/architects set aside all
convention and created a full temple, identical in every detail to a
structural, 'built-up' example, by carving vertically down into the
The scheme of the Kailash temple is basically divided into four main
parts: the body of the temple itself, the entrance gateway, an
intermediate nandi shrine and the cloisters surrounding the courtyard.
Much of the imposing character of the main shrine is due to its
substantial plinth, which on first examination seems to be a floor by
itself. Above and below this, the sub-structure is heavily molded, while
the central space is occupied by a frieze of elephants and lions.
The Kailash temple is not only the single largest work of art
executed in India, but as an example of rock-cut architecture it stands
unrivaled. One gradually becomes aware of the stupendous labor that it
involved (over a hundred years), and finally, the sculpture that adorns
it. Standing within its walls, one cannot help but be aware of the
spiritual energy that went into its creation - a jewel hewn out of the
Kashi Vishwanath Temple
The oldest living city in the world, Varanasi is the ultimate
destination of all Hindu pilgrims searching for moksha from the cycle of
birth and re-birth. The word 'Kashi' originated from the word 'Kas'
which means to shine. Kashi is mentioned repeatedly in the scriptures -
the Brahmanas, Upanishads and the Puranas. It is the oldest center of
learning and the University here is still widely respected for its
Sanskrit, Philosophy, and Arts faculties. Hyuen Tsang, the Chinese
traveler visited Varanasi in the 7th century.
Stepped in tradition and mythological legacy, Kashi is the 'original
ground' created by Lord Shiva and Parvati. The Kashi Vishwanath Temple
is dedicated to Lord Shiva. The temple was destroyed in the various
invasions and was rebuilt in 1776 by Rani Ahilyabai of Indore. Hundreds
and thousands of pilgrims flock to Varanasi to offer homage and wash
away their sins.
Vishweshwara jyotirlinga has a very special and unique significance
in the spiritual history of India. Deeply and intimately implanted in
the Hindu mind, the Kashi Vishwanath Temple has been a living embodiment
of our timeless cultural traditions and highest spiritual values. The
Temple has been visited by all great saints- Adi Shankaracharya,
Ramkrishna Paramhansa, Swami Vivekanand, Goswami Tulsidas, Maharshi
Dayanand Saraswati, Gurunanak and several other spiritual personalities.
Once a great chandela capital, Khajuraho is now a quiet village. The
town of exotic temples, Khajuraho is one of India's major honeymoon
attractions. They are India's unique gift to the world, representing a
melody to life,which encompasses all emotions ranging from love, to joy.
Life, in every form and mood, has been captured in stone, testifying not
only to the craftsman's artistry but also to the extraordinary breadth
of vision of the Chandela kings.
The architecture of the temples are unique, being very different from
the temple prototype of their period. The erotic carvings of temples,
make it a must-see. Originally there were 85 temples, but many were
destroyed by the British. Today, only 22 are in fair condition.
Khajuraho temple complex site is one the most popular places both
foreign and Indian tourists. Temples of Khajuraho hold the attention of
a visitor with their sculptural art, which is so exquisite and
intricate, that one cannot even dream of cloning it now. The artist's
creative instincts have beautifully captured various facets and moods of
life in stone. The temples at Khajuraho are divided into three broad
The Western Group is the largest, compact and centrally located group
in Khajuraho, includes some of the most prominent monuments, built by
the Chandela rulers. The Lakshmana Temple, the Matangesvara Temple and
the Varaha Temple form one complex and the Visvanatha and Nandi temples
are not far from this complex.
The Eastern Group comprises of five detached sub-groups in and around
the present village of Khajuraho. The eastern group of monuments,
situated in close proximity to the Khajuraho village, includes three
Brahmanical temples known as Brahma, Vamana and Javari and three Jain
temples, the Ghantai, Adinath and Parsvanath.
The Southern Group is the most distant one comprising of two main
monuments near and across the Khudarnala. The southern group of
monuments comprises the Duladeo and the Chaturbhuja temples. The Duladeo
is about a kilometre south of the Khajuraho village and half a mile
southwest of the Jain group of temples. The Chaturbhuja Temple is Dance
Festivalmile further south and is close to the Khajuraho airport.
Visitors are also drawn to a dance festival, celebrated in March,
which attracts some of the best classical dancers in the country - the
floodlit temples provide a spectacular backdrop during the event. In a
setting where the earthly and the divine create perfect harmony, it is a
spectacular event that celebrates the pure magic of the rich classical
dance traditions of India.
Konark Sun Temple is located , in the state of Orissa near the sacred
city of Puri. The sun Temple of Konark is dedicated to the sun God or
Surya. It is a masterpiece of Orissa's medieval architecture. Sun temple
has been declared a world heritage site by UNESCO.
The Konark temple is widely known not only for its architectural
grandeur but also for the intricacy and profusion of sculptural work.
The entire temple has been conceived as a chariot of the sun god with 24
wheels, each about 10 feet in diameter, with a set of spokes and
elaborate carvings. Seven horses drag the temple. Two lions guard the
entrance, crushing elephants. A flight of steps lead to the main
The Nata Mandir in front of the Jagamohana is also intricately
carved. Around the base of the temple, and up the walls and roof, are
carvings in the erotic style. There are images of animals, foliage, men,
warriors on horses and other interesting patterns. There are three
images of the Sun God, positioned to catch the rays of the sun at dawn,
noon and sunset.
The temple city of Konark is situated in the eastern state of Orissa
at a distance of around 65 km from Bhubaneswar and 35 km from Puri. The
city extends between longitude 86.08°E and latitude 19.53°N.
Konark derives its name from Konarka, the presiding deity of the Sun
Temple. Konarka is actually a combination of two words, Kona (corner)
and Arka (sun), which, when combined, means the sun of the corner.
Konark was one of the earliest centres of Sun worshipping in India. The
place finds mention in the Puranas as Mundira or Mundirasvamin, a name
that was subsequently replaced by Konaditya or Konarka. Apart from the
Puranas, other religious texts also point towards the existence of a sun
temple at Konark long before the present temple.
Konark was once a bustling port of Kalinga and had good maritime
trade relations with Southeast Asian countries. The present Sun Temple
was probably built King Narashimhadev I (AD 1238-64) of the Ganga
dynasty to celebrate his victory over the Muslims. The temple fell into
disuse in the early 17th century after it was desecrated by an envoy of
the Mughal emperor Jahangir.
However, legend has it that the temple was constructed by Samba, the
son of Lord Krishna. It is said that Samba was afflicted by leprosy,
brought about by his father's curse on him. After 12 years of penance,
he was cured by Surya, the Sun God, in whose honour he built this
The massive structure of the temple, now in ruins, sits in solitary
splendor surrounded by the drifting sands. The entire temple has been
designed in the shape of a chariot carrying the Sun God across the
heavens. The huge intricate wheels of the chariot, which are carved
around the base of the temple, are the major attractions of the temple.
The spokes of these wheels serve as sundials, and the shadows formed by
these can give the precise time of the day. The pyramidal roof of the
temple, made of sandstone, soars over 30 m in height. Like the temples
at Khajuraho, the Sun Temple at Konark is also covered with erotic
The Temple Chariot of the Sun God
Standing imperiously in its compound of lawns and casuarina trees, 35km
north of Puri on the coast road, this majestic pile of oxidizing
sandstone is considered to be the apogee of Orissan architecture and one
of the finest religious buildings anywhere in the world. The temple is
all the more remarkable for having languished under a huge mound of sand
since it fell into neglect three hundred or so years ago. A team of
seven galloping horses and twenty-four exquisitely carved wheels found
lining the flanks of a raised platform showed that the temple had been
conceived in the form of a colossal chariot for the sun god Surya, its
Lady drummer of Sun Temple
The temple is a brilliant chronicle in stone, with thousands of images
including deities, the Surasundaris, heavenly damsels, and human
musicians, lovers, dancers, and different scenes from courtly life.
Maituna - Sun Temple
Equally as sensational was the re-discovery among the ruins of some
extraordinary erotic sculpture. Konark is plastered with loving couples
locked in ingenious amatory postures drawn from the Kama Sutra - a
feature that may well explain the comment made by one of great poet of
Mughal Dynasty,Abdul Fazl, in the sixteenth century: "Even those who are
difficult to please," he enthused, "stand astonished at its sight."
A stone's throw away from Konark beach lies the sacred pond where Samba
was cured of leprosy - the miracle that allegedly inspired the founding
of the sun temple. For a couple of days every year during the full or
"white" moon phase of Magha (Jan/Feb), chandrabhaga is also the site of
a big religious festival, the Magha Saptami Mela.
The Chandrabhaga Mela or Magha Saptami mela in the month of February,
is a grand religious festival. Thousands of pilgrims converge on the
pool, on this day to take a holy dip in its curative waters, and then
shuffle off to the beach where, in accordance with an age-old custom
mentioned in the puranas, they watch the sun rise over the sea. The
event is followed by the puja of the Navagraha.
Those interested in attending the Konark Dance Festival, held in the
Open air Auditorium north of the Sun Temple, should visit during the
first week of December. Konark Dance Festival A dance festival is held
in an open-air theatre built near the Sun Temple every year in the month
of December. Known as the Konark dance festival, the event brings
together eminent classical dancers of India who perform various dance
forms like Odissi, Bharatnatyam, Manipuri, Kathak and Chhow. The
classical extravaganza is a journey through ecstasy, and a visit to
Konark during this time offers you with a combination of art, craft, fun
Magha Saptami (Sun Festival) is held at Konark on the seventh day (saptami)
of the bright half of the month of Magha (January/February). During this
festival, the pilgrims bathe in the sea before sunrise and then proceed
to the temple to worship.
The Vijayanagar Empire caused a number of monuments to be built and
patronized in the State of Andhra Pradesh. The ornate Lepakshi temples
being one of the popular temples of that era. Lepakshi is a small
village, which lies nine miles east of Hindupur in Anantapur District of
Andhra and is famous for its temple of Veerabhadra, and is also a
renowned place where the best specimens of the mural paintings of the
Vijayanagar kings are available.
The flat stuccoed granite ceilings of the Vijayanagar Empire provided
a suitable background for frescoes as seen at Lepakshi. This temple is a
notable example of the Vijayanagar style of architecture, and is built
on a low rocky hill, which is called Kurmasaila so called because the
bill is like a tortoise, in shape. An inscription on the exit of the
outer wall of the temple records that one Virupanna constructed it in
the 16th century.
The beautiful sculptures on the prakaram attract the pilgrims'
attention. These include 14 forms of Siva, like Dakshinamurthi,
Ardhanareeswara, Tripurantaka etc. The hall of creepers is another
excellent work of art, which has provided perennial inspiration to
textile designers over the years. About 500m, North-East of the temple
stands India's largest monolithic Nandhi, measuring about 8.25m long and
Naina Devi Temple
The Goddess Naina Devi is worshipped as a single selfborn pindi.
There is another pindi of Ganesha and a third established by the
Pandavas. This is believed to be the 'shakti pita' where Sati's eye
fell. Naina means eye. The temple is also known as Mahishapitha because
of it's association with Mahishasur.
This area was the capital of Mahishasur. Mahishasur was given a boon
by Brahma, the creator, that he could only be defeated by a maiden. His
story is a major section in the Devi Mahatmya and can be found in
greater detail in the Devi Bhagavata Purana. He enslaved the Gods and
made life impossible for the righteous people of that time. To save
themselves the Deva's got together and combined their shakti's (Goddess
power within them) to create a new Devi powerful enough to defeat him.
She stationed Herself on a nearby hill called Mahishapith. Hearing of
Her unearthly beauty Mahishasur wanted to marry the Divine maiden. She
agreed to the marriage on the condition that he could defeat Her in
battle. She defeated his armies and finally Mahishasur himself. She
plucked out both his eyes and gave his skull to Brahma. The Gods
showered Her with flowers and cried out "Jay Naina" and hence Her name.
Another story claims that a cowherd named Naina, found a cow dripping
milk onto a pindi with eyes on it. That night Devi Ma appeared to the
cowherd in a dream and told him that the pindi was Her own form. He was
told that he should build a temple there and worship the pindi. He did
so and later a larger temple was built.
Naina Devi Temple, Himachal Pradesh
Naina Devi Temple
City :- Bilaspur, Himachal Pradesh
State :- Himachal Pradesh
Location :- North India
Shiva’s consort Sati once burnt herself alive in Yagna to avenge an
insult to Lord Shiva. The distraught Shiva picked her corpse and gyrated
his horrified dance. Then Lord Vishnu unleashed his Chakra and cut the
Sati’s body into fifty one pieces to save the earth from Shiva’s wrath.
All the fifty one places - where parts of Sati's body fell, became known
as Shakti Peeths. It is believed that Sati’s eyes fell at the place
where this temple is situated. Therefore, this temple is called Naina
Devi Temple is one of the fifty-one Shakti Peeths in India. Situated 60
km from Bilaspur district in Himachal Pradesh, Naina Devi Temple is one
of the highly venerated Shakti Temples in India. According to Hindu
mythology, sati, consort of Lord Shiva, killed herself by jumping in the
sacrificial fire when her father Daksha Prajapati insulted her husband.
This enraged Shiva who started roaming the entire universe with the body
of Sati in his arms. Lord Vishnu dismembered the dead body of Sati to
calm down the anger of Shiva. Various body parts of Sati fell at
fifty-one different places in India that later became sacred as Shakti
charming hill resort of Nainital gets its name from the Goddess Naina
Devi. A temple dedicated to the deity stands here. The Naina Devi temple
is situated atop Naina hillock in Nainital. Thousands of pilgrims gather
here every year around September to worship Goddess Parvati. The temple
of Naina Devi is situated about 7 miles from Anandpore Sahib on Bhakra
Nangal rail –line. The temple is situated on Shivalik Mountain and
devotees have to cover a distance of above 2 km on foot. It takes for
the normal Devotee about half an hour to reach the temple from the
Perhaps the best known pilgrimage destination in Kerala, Sabarimala
is situated high up in the Sahyadri Mountains. Sabarimala Sri
Dharmasastha Temple is the most famous and prominent among all the
Sastha Temples. It is believed that "Parasurama Maharshi" who uplifted
Kerala from the sea by throwing his axe, installed the idol of Ayyappa
at Sabarimala to worship Lord Ayyappa. The temple attracts pilgrims not
only from the southern states of India, but also from other parts of the
country and abroad.
Various legends explain the birth of Ayyappa, among them that he was
born to battle the demons of Kerala's hill tribes. Brought up by a
childless tribal king, Ayyappa performs many miracles. After fulfilling
the purpose of his incarnation, Ayyappa entered the inner sanctum of the
ancient temple upon sacred Mt Sabari and disappeared. During his life,
Ayyappa reportedly kept the company of tigers and leopards.
The Sabarimala temple attracts the maximum pilgrims on the first day
of the 'Makharam' month on January 17, when a celestial light appears on
top of a nearby hill. Thousands arrive just to see the light, which is
considered sacred. All the devotees, after taking a holy dip in the
river, trek to the hilltop temple. Before beginning the pilgrimage to
Sabarimala, pilgrims prepare themselves with 41 days of rigorous
fasting, celibacy, meditation and prayer. The standard items that are
carried to the temple include a coconut filled with ghee and two other
coconuts that are broken in front of the temple.
The Sun Temple
Built in 1026 A.D. during the reign of King Bhimdev I of the Solanki
dynasty, the Sun temple is dedicated to the Sun God. This temple, though
ravaged by Mehmud of Gazni, still retains enough of it's original
structure to convey the grandeur of its conception and the superb
artistry of execution. Every inch of the edifice, both outside and
inside is carved magnificently with motifs of gods and goddesses, birds,
beasts and flowers. Modhera is now the site of several dance and
cultural festivals. The sun temple and the ambiance here provide a
majestic backdrop for the exhibition of performing arts.
Even in its ruined state, the sun temple at Modhera is magnificent.
The first view of the sun temple is breathtaking, with the pillared
portico of the sabhamandap reflected in the massive tank. The weathered
golden brown stone of the edifice has an overpowering grandeur. There is
no worship offered here now. There is no shikhara either. The temple has
a sanctum, a pradakshina patha and a sabha mandap in front. The exterior
of the sanctum has many carved images of the Sun God, portrayed as
wearing a belt and long shoes. The mandapa in front of the sanctum has
beautifully carved pillars with exquisite toranas adorning the
entrances. The exterior of this temple is intricately carved. This
temple has been designed such that the sun's rays illuminate the sanctum
Situated on the banks of the Narmada, Omkareshwar is one of the 12
revered Jyotirlinga shrines of Shiva. It is located at a distance of
about 12 miles from Mortakka in Madhya Pradesh. The river Narmada spits
into two and forms an island Mandhata or Shivapuri in the center. The
shape of the island resembles that of the visual representation of the
Omkara sound, Om. There are two temples here, one to Omkareshwar and one
to Amareshwar. Legend has it that the Vindhya mountain prayed to Shiva -
Omkareshwara and was blessed here. Legend also has it that upon the
request of the Devas, the Shivalinga split into two, one half being
Omkareshwara and the other Amaleshwara or Amareshwar. King Mandhatha of
the Ishvaku clan is believed to have worshiped Shiva here. The
Omkareshawar temple is built in the North Indian style of architecture,
with high spires. Devotees consider worship to Panchamuga Ganesha, to be
Shri Omkar Mandhata
The main temple with detailed carving in soap stone stands on a mile
long and half mile island.
A frieze of elephants carved on a stone slab is the main draw of this
example of early medieval Branmhatic architecture.
A cluster of Hindu and Jain temples in varied architecture modes.
A group of 10th century temples.
Kashmir has produced a galaxy of great saints, seers and savants who
have enriched, elevated and refined life and helped the people at large
in distress. This is perfectly showcased in the Shankracharya Temple.
The temple shows the early Kashmiri style. It tries to introduce the
early Sihara style and has still one-storeyed gable pediment which is
evident even now. Here we find the early specimen of the horse shoe
arch, prominent in the final stages of this architecture, as, for
example, in Martand.
It was first built by Jalauka, the son of great Emperor Ashoka, about
200 B.C. The temple was later rebuilt and dedicated to Jyesthesvara by
Gopaditya, who ruled from 253 A.D. to 328. The hill was called Gopadri
and the village at its foot on the south is still called Gopkar. It is
also said that once Shankaracharya, a famous Hindu saint, came to
Kashmir from South India to revive Hinduism. He stayed on the top of the
hill for sometime and the hill thus came to be known as Shankaracharya
This temple stands on a solid rock and consists of an octagonal
basement of 13 layers. Each of the four sides has two projections which
terminate in pediment and agable, the latter intersecting the main roof
half way up its slope. The body of the temple is surrounded by a terrace
enclosed by a stone wall or parapet, 3.5 feet high. This in following
the outline of the basement, preserves its octagonal shape. From the
terrace another flight often steps leads to the door of the temple. The
interior is a chamber, circular in plan, with a basin containing a
lingam. The whole of the building is of stone, which is laid throughout
in horizontal courses, no cement appearing to have been used.
Thousand Pillar Temple
About 150 kms. from Hyderabad lies the ancient city of Warangal.
Noted today for its beautiful lakes, magnificent temples and wildlife,
Warangal possess the marvelous thousand pillared temple, built by King
Rudra Deva in the 12th century. The famous Thousand Pillar Temple, built
in 1163 AD, by king Rudra Deva is an important monument situated near
the Hanamkonda-Warangal highway. One thousand richly carved pillars and
a magnificent black basalt Nandi bull are unique to this temple which is
dedicated to Lords Shiva, Vishnu and Surya.
The temple is in shape of a star and has three shrines dedicated to
Lord Shiva, Vishnu and Surya. The temple is built on a 1m high platform
on the slopes of the Hanumakonda hill, and has a majestic monolithic
Nandi. The black basalt Nandi, a monolith, has a lovely polished finish.
There are many small lingam shrines surrounding the gardens. The temple
is famous for its richly carved pillars, screens and detailed sculpture.
Tirupati Balaji Temple
The ancient and sacred temple of Sri Venkateswara is located on the
seventh peak, Venkatachala (Venkata Hill) of the Tirupati Hill, and lies
on the southern banks of Sri Swami Pushkarini.It is by the Lord's
presidency over Venkatachala, that He has received the appellation,
Venkateswara (Lord of the Venkata Hill). He is also called the Lord of
the Seven Hills.
The temple of Sri Venkateswara has acquired unique sanctity in Indian
religious lore. The Sastras, Puranas, Sthala Mahatyams and Alwar hymns
unequivocally declare that, in the Kali Yuga, one can attain mukti, only
by worshipping Venkata Nayaka or Sri Venkateswara.
The benefits acquired by a pilgrimage to Venkatachala are mentioned
in the Rig Veda and Asthadasa Puranas. In these epics, Sri Venkateswara
is described as the great bestowed of boons. There are several legends
associated with the manifestation of the Lord at Tirumala.
There is ample literary and epigraphic testimony to the antiquity of
the temple of Lord Sri Venkateswara. All the great dynasties of rulers
of the southern peninsula have paid homage to Lord Sri Venkateswara in
this ancient shrine. The Pallavas of Kancheepuram (9th century AD), the
Cholas of Thanjavur (a century later), the Pandyas of Madurai, and the
kings and chieftains of Vijayanagar (14th - 15th century AD) were
devotees of the Lord and they competed with one another in endowing the
temple with rich offerings and contributions.
It was during the rule of the Vijayanagar dynasty that the
contributions to the temple increased. Sri Krishnadevaraya had statues
of himself and his consorts installed at the portals of the temple, and
these statues can be seen to this day. There is also a statue of
Venkatapati Raya in the main temple.
Sri Venkatachala Mahatmya is referred to in several Puranas, of which
the most important are the Varaha Purana and the Bhavishyottara Purana.
The printed work contains extracts from the Varaha Purana, Padma Purana,
Garuda Purana, Brahmanda Purana, Markandeya Purana, Harivamsa, Vamana
Purana, Brahma Purana, Brahmottara Purana, Aditya Purana, Skanda Purana
and Bhavishyottara Purana. Most of these extracts describe the sanctity
and antiquity of the hills around Tirumala and the numerous teerthams
situated on them.
The legends taken from the Venkatachala Mahatmya and the Varaha
Purana, pertaining to the manifestation of the Lord at Tirumala, are of
According to the Varaha Purana, Adi Varaha manifested Himself on the
western bank of the Swami Pushkarini, while Vishnu in the form of
Venkateswara came to reside on the southern bank of the Swami Pushkarini.
Padi Kavali Maha Dwara
The Padi Kavali Maha Dwara or Outer Gopuram stands on a quadrangular
base. Its architecture is that of the later Chola period. The
inscriptions on the gopuram belong to 13th century. There are a number
of stucco figures of Vaishnava gods like Hanuman, Kevale Narasimha and
Lakshmi Narasimha on the gopuram.
The path for circumnavigating the temple is called a pradakshinam. The
main temple has three prakarams. Between the outermost and middle
prakarams is the second pathway for circumambulation known as the
Sampangi Pradakshinam. Currently, this pathway is closed to pilgrims.
The Sampangi Pradakshinam contains several interesting mandapams like
the Pratima Mandapam, Ranga Mandapam, Tirumala Raya Mandapam, Saluva
Narasimha Mandapam, Aina Mahal and Dhvajasthambha Mandapam.
Ranga Mandapam, also called the Ranganayakula Mandapam, is located in
the south-eastern corner of the Sampangi Pradakshinam. The shrine within
it is believed to be the place where the utsava murti of Lord Ranganadha
of Srirangam was kept during the 14th century, when Srirangam was
occupied by Muslim rulers. It is said to have been constructed between
1320 and 1360 AD by the Yadava ruler Sri Ranganadha Yadava Raya. It is
constructed according to the Vijayanagara style of architecture.
Tirumala Raya Mandapam
Adjoining the Ranga Mandapam on the western side, and facing the
Dhvajasthambha Mandapam is a spacious complex of pavilions known as the
Tirumala Raya Mandapam or Anna Unjal Mandapam.
It consists of two different levels, the front at a lower level and
the rear at a higher. The southern or inner portion of this Mandapam was
constructed by Saluva Narasimha in 1473 AD to celebrate a festival for
Sri Venkateswara called Anna Unjal Tirunal. This structure was extended
to its present size by Araviti Bukkaraya Ramaraja, Sriranga Raja and
It is in this Mandapam, that the utsava murthi Malayappan, holds His
annual darbar or Asthanam during the hoisting of the Garudadhwaja on
Dhwajastambham to mark the commencement of Brahmotsavam. Incidentally,
the prasadam distributed on this occasion is still called Tirumalarayan
Tirumala Raya Mandapam
The Mandapam has a typical complex of pillars in the Vijayanagara style,
with a central pillar surrounded by smaller pillars, some of which emit
musical notes when struck with a stone. The main pillars have rearing
horses with warriors mounted on them. Some of the best sculptures of the
temple are found in bold relief in the Mandapam. The bronze statues of
Todermallu, his mother Matha Mohana Devi and wife Pitha Bibi, are kept
in a corner of the Mandapam.
The Aina Mahal
The Aina Mahal is on the northern side of the Tirumala Raya Mandapam. It
consists of two parts - an open mandapam in the front consisting of six
rows comprising six pillars each, and a shrine behind it consisting of
an Antarala and Garbhagriha. It has large mirrors which reflect images
in an infinite series. There is an unjal in the middle of the room in
which the Lord is seated and festivals conducted.
The daily program starts with 'Suprabhatam' (awakening the Lord) at
three in the morning and end with the 'Ekanta Seva' (putting the Lord to
sleep) at one in the night. Daily, Weekly and Periodical 'Sevas' and 'Utsavams'
are performed to the Lord. Interested pilgrims can choose from the list
and pay to get the Sevas or Utsavams done on their name. Devotees offer
their gifts and donations in the "Hundi", which is the main source of
Everyday is a day of festivity at Tirumala. The most famous is the
annual festival called 'Brahmotsavam', which is celebrated on grand
scale for nine days in September, attracting pilgrims and tourists from
all parts of the country. The fifth and ninth days of the festival are
especially significant in as much as Garudostavam and Rathotavam takes
place on those days.
Vaishno Devi Temple
The shrine of Mata Vaishno Devi is one of the most visited pilgrim
sites in India. Situated at a height of 5, 300 ft., the site is located
inside a cave in a hill. One of the most visited pilgrim sites in India,
the shrine of Mata Vaishno Devi is located in a cave, amidst the folds
of the Trikuta Bhagwati hill at a height of 5, 300 ft., in the state of
Jammu and Kashmir (J & K). This cave temple is at a distance of 61 kms
from Jammu and the last 13 kms of the way have to be negotiated on foot
by the yatris, as the devotees are called. Once at the entrance to the
cave, the path turns into a narrow tunnel with a cold stream named the
Charan Ganga running through it. The pilgrim has to wade through this to
reach the sanctum sanctorum.
The holy cave shrine of Vaishno Devi is nestled in a beautiful recess
of the Trikuta Mountains forming a part of the lower Himalayas. It is
located 61 km north of Jammu at a height of 5,200 feet above the sea
level in the state of Jammu and Kashmir. In the cave there are images of
three deities viz. the Mahakali, Mahalakshmi and Mahasaraswati.
The Vaishno Devi shrine is nestled in the Trikuta Mountain. It lies
61 km north of Jammu in the northern state of Jammu and Kashmir. Perched
at a height of 5,200 feet above the sea level, Vaishno Devi is a cave in
the lower Himalayas. Katra, the town at the foot of the Trikuta hills is
the base camp for the Vaishno Devi shrine. Katra is 48 km from Jammu,
650 km from Delhi (via Una), 520 km from Udhampur, 410 km from
Chandigarh and 80 km from Patnitop The shrine is visited all through the
year, but the path is difficult during the winters when the route is
often blocked by snowfall.
The temple of Vaishno Devi is dedicated to Vaishnavi, the human
manifestation of Goddess Shakti. Within the temple is the deity in the
form of a five and half feet tall rock with three Pindies or heads. It
is written that the goddess to achieve her destiny of finally merging
with Lord Vishnu assumed the form of a human and was born as Vaishnavi,
in the household of one Ratnakar. Even as a young girl, Vaishnavi
displayed an immense thirst for knowledge that soon out thought her
teachers. Soon she started to search within herself for the answers that
she couldn't find elsewhere and learnt the art of meditation. Realizing
the importance of Tapasya (meditation) Vaishnavi renounced all worldly
comforts and betook herself to the forest to meditate in peace.
Legend has it that while Vaishnavi was in the forest she encountered
Lord Rama, prince of Ayodhya, who was in exile. Recognizing him
immediately as an avatar of Lord Vishnu she begged him to merge with
her, but Lord Rama, knowing that the time was not ripe promised her that
on the completion of his exile he would again pass that way. If she
recognized him then he would fulfill her wishes. True to his word he
returned in the guise of an old man, but Vaishnavi failed to recognize
him. Rama consoled her and advised her to set up an ashram at the base
of the Trikuta Hills and continue with her penance.
The holy Shrine of Mata Vaishno Devi Ji is unique as it contains the
holiest of holy Pindis manifesting Mata in her three forms which are
Maha Kali, Maha Lakshmi and Maha Saraswati. Each of these forms
represent particular attributes.
Maha Kali represents Tam Guna : Tam stands for darkness or unholiness.
In her attribute of Maha Kali, Mata is constantly endeavoring to
vanquish the forces of darkness. She blesses her devotees by giving them
strength to never lose heart and constantly battle the forces of
darkness till they prevail upon them. Maha Lakshmi represents Raj Guna :
Raj stands for sustenance, prosperity and well being. In her attribute
of Maha Lakshmi Vaishno Mata blesses her devotees with wealth and
prosperity and thus makes their life more comfortable and happy.
Maha Saraswati represents Satva Guna : Satva stands for purity and
goodness. In her attribute of Maha Saraswati, Mata blesses her devotees
with pure thoughts and a high intellect. This enables them to
distinguish between the good and the bad, between righteousness and
unrighteousness and helps them to adopt the correct path in life.
A combination of these three attributes in a single Shakti is known
as Mata Vaishno Devi Ji and this unique combination is what makes her
revered all over the world. Each person on earth contains the attributes
of Tam Guna, Raj Guna and Satva Guna in some degree or the other. His or
her behavior is therefore, conditioned by the attribute that is
predominant. However, to lead a full and meaningful life a balance has
to be struck amongst the three. This balance is extremely difficult to
achieve. It needs divine blessings. It is only at Vaishno Devi Ji that
such blessings are possible simultaneously from a single source of
Shakti . This is what makes the holy Shrine of Mata Vaishno Devi Ji
unique in the world.
The Yatra begins at Katra and pilgrims have to cover 13 km of terrain
on foot to reach the Darbar. One kilometer away from Katra, is Banganga,
place where Mata quenched her thirst and at 6 km further down, is the
holy cave at Adhkawari.The entire 13 km route is quite wide and tiled.
Besides, the whole path is lit up every night by powerful sodium vapour
lamps. The whole route is swept and cleaned from time to time throughout
the day. Yatris are requested to keep the path clean.
Shelter cum sheds and shelter cum cafeterias are setup throughout the
route. Pure vegetarian food is available at these outlets. Price charts
are exhibited at all these outlets prominently. Drinking water has been
made available all along the route, with water coolers and storage
Public utilities with automatic flushing systems along the track and
at the Bhawan. After 6 km. of trekking, you would reach Adhkawari, the
holy cave where Mata meditated for nine months. Do visit the cave. After
9.5 km., you would reach Sanji Chhat where you can rest for sometime.
Accommodation is also available at this place. Bhawan is just 3.5 km.
At the entrance to the cave is a place called Bhavan where the
worshipper buys prasad (offering to the God, a little of which is
returned to the devotee for distribution amongst his near and dear ones)
and other offerings. Here the Yatri is issued a token number on showing
the Yatra ticket. The group no. and the time for the Yatri's turn is
mentioned on the token.
At Bhavan there are cloakrooms, lockers for your belongings and
change rooms. It is customary to bathe and change clothes before joining
the queue for the darshan. Amidst the continuous chanting of Jai Mata Di,
pilgrims wait patiently for their turn after depositing their coconut at
the entrance for which they are given tokens. Each one has to enter the
cave alone as the tunnel to the shrine is very narrow and has to be
negotiated with care. Once inside it widens out to provide darshan of
the goddess. The return is via a different route that takes the devotee
to the shrine of Bhairon and then back to Katra.
The total length of the holy Cave is about ninety eight feet. Here
you can see symbols of a large number of Gods and Goddesses of the Hindu
pantheon. At the mouth of the original tunnel to the holy Cave on the
left hand side of the rock face you can see the symbol of Vakra Tunda
Ganesha. Adjacent to the symbol of Lord Ganesha you can see the symbols
of Surya Dev and Chandra Dev. When you crawl into the holy Cave through
the natural tunnel you cross over the Dhadh of Bhairo Nath who was
beheaded by the Goddess at the entry point to the holy Cave. The Dhadh
is fourteen feet long. After this you come across the symbol of Lord
Hanuman who was also called Launkra Beer.
Beyond the Launkra Beer point you have to wade your way through water
Twenty three feet beyond Launkra Beer, on the left upper hand side, the
roof of the cave flares out and the weight of this over hang appears to
the resting on the innumerable heads of Shesh Nag. Immediately below
Shesh Nag there is the Havan Kund of Mata. Adjacent to the symbols of
Shankh, Chakra, Gada and Padam. Higher up, almost touching the ceiling
of the cave are the symbols of the five Pandavas, the Sapt Rishi, the
Than of the divine cow, Kamdhenu, Brahma, Vishnu, Shiv and Parvati.
Three feet further ahead, on an elevation some what lower than Shiv
and Parvati, is the Khamba that was gripped by the legendary worshipper
Prahalad. Diagonally below this, at the water level you can see the
Yantra with innumerable mystical signs and symbols inscribed on it.
Twenty two feet beyond this point, the Sher Ka Panja symbolising the
lion, which is the mount of Mata Vaishno Devi Ji is located.
The distance from the entry point to the Sher Ka Panja is fifty nine
feet.. Six feet further ahead, on the left hand side, are the symbols of
Shankar and Gouri. Thirteen feet beyond the symbols of Shankar and Gouri
the holiest of the holy Pindies of ``Mata Maha Kali Ji'', ``Mata Maha
Lakshmi Vaishno Devi Ji,'' and ``Mata Maha Saraswati Ji''.appear .To the
right of the holy Pindies on the upper side we can once again identify
the symbols of Ganesh, Surya Dev, Chandra Dev and Goddess Annapurna.
Slightly behind the holy Pindies, on the right hand side you can see the
symbol of the seated Sinh Raj. A little ahead of this you can make out
the full hand of the Goddess raised in the Vard Hast mode, granting
boons to the world. Immediately opposite the Holy Pindies is the natural
symbol of Lord Pashupati Nath.
Water(Charan Ganga) gushes out of the base of the holy Pindies and
flows out of the holy Cave. Charan Ganga is collected in small
containers by the devotees and is taken home. It is also channelised to
the bathing ghat and the devotees can take a bath in this water before
they join the queue for Darshan of the holy Pindies.
The cave at the Trikuta mountain is indeed a unique cave as it is in
this cave that Shakti in her incarnation of Vaishavi resides in a
petrified rock form and it is only here that she is manifested in her 3
forms Maha Kali , Maha Lakhsmi and Maha Saraswati The holiest of the
holy Pindies of "Mata Maha Kali Ji", "Mata Maha Lakshmi Vaishno Devi Ji"
and "Mata Maha Saraswati Ji which are the ultimate destination for
pilgrims are located at a distance of 91 feet inside the cave .In the
surroundings symbols of 'Surya', 'Chander', 'Sinh Raj', 'Pashupatinath',
'Shiva' and 'Dhrupad Ji' are quite prominent.
A stream of water gushes out of the base of the holy Pindies which is
commonly known as 'Charanganga'. After flowing through the cave this
Charanganga is chennalised to 'Bathing Ghat' at Bhavan where the
devotees take their bath before proceeding for Darshans of the deity. As
a mark of reverence the devotees also carry this 'Charanjal' in small
containers to their homes.
The Aarti of the Goddess is performed twice a day, once during the
morning at sun rise and again during the evening at sun set. The holy
cave is closed for pilgrims during the period the Aarti is being
performed. It usually takes around two hours for the Aarti to be
completed. Only the Pujaris, Sahayaks and an officer are permitted in
the cave when the Aarti is being performed. The sequence of the various
activities that are performed at Aarti is as under :
Chanting of Mantras
At the commencement of the Aarti the Pujaris utter aloud the 108 names
of Durga. Then they perform Atam Puja for their own purification and
apply Tilak on each other's forehead. This is followed by the chanting
of mantras exhorting the Devas to give the Pujaris sound health.
Thereafter, Prithvi, Surya, Deep and Dhoop are worshipped by the
chanting of mantras. Once these activities are over, the Pujaris chant
the Pratigyaa Sankalp where they vow to worship Mata Maha Kali, Maha
Lakshmi Vaishno Mata and Mata Maha Saraswati
Ban Ganga Temple
After the goddess left the Bhumika Temple, she went to the Trikuta Hills
passing through here. At this time, Langoor Vir (Veer Langur) felt
thirsty. The goddess shot an arrow into the stone and a holy river was
produced, now known as Ban Ganga. It is called Ban Ganga because the
goddess washed her hair at this place. Most pilgrims take bath here. You
must show the slip you got near the Bus Stand in Katra to pass this
point. Ban Ganga is about 3 km from Katra.
Charan Paduka Temple
This is where the goddess stopped for some time while Bhairon was
chasing her. Her footprints are supposed to be visible on a stone at
this place. Charanpaduka means "holy footprints". It is about 1.5 km
from Ban Ganga at 3,380 feet.
Ardh Kuwari is the halfway point, and some pilgrims stay here for the
night. There is a 15-foot-long cave called Garbha Joon where the goddess
hid herself for nine months and showed herself to a saint. The cave is
narrow, and you have to almost crawl all the way through it. When
Bhairon entered the cave, the goddess made a new opening with her
trident and ran away. Ardh Kuwari is 4.5 km from Charan Paduka and 4,800
ft above sea level.
Vrindavan, around 15 km from Mathura, is a major place of pilgrimage,
on the banks of Yamuna . Attracting about 5 lakhs pilgrims every year,
it is noted for its numerous temples- both old and modern. Vrindavan is
synonymous with the innocent mirth and child like playfulness of Shri
Krishna. Vrindavan, the dusty little town known for the temples, big and
small, famous and remote strewn all over the place.
Vrindavana is 135 km south of Delhi and 55 km north of Agra, just off
the Delhi-Agra Road. It is 12 km or a 25-minute auto-rickshaw ride from
Mathura. It has a small-town type atmosphere with narrow streets and not
much motor traffic. There are said to be over 5000 temples in Vrindavana.
Vrindavan is situated in the north Indian state of Uttar Pradesh
around 151 km south of Delhi. It extends latitude 27°33¢ in the North to
longitude 77°44¢ in the East. The place is just 10 km off Mathura, the
place where Lord Krishna is said to have spent his childhood. Vrindavan
is situated on the New Delhi-Chennai and New Delhi-Mumbai main railway
line. A meter-gauge line connects Vrindavan to Mathura. There are quite
a good number of passenger trains plying between these two places
The name 'Vrindavan' is derived from 'Vrinda', another name for the
sacred tulsi (basil) plant. A legend has it that the entire place was a
tulsi grove at one time. According to another tradition, it was named
after Vrinda Devi, one of Krishna's playmates. The earliest known shrine
in Vrindavan is said to have been built by the local gosains in a large
garden called Nidhiban, later named Seva Kunj. According to tradition,
Emperor Akbar was taken blindfolded inside the grove where he had some
kind of a spiritual experience. As a result, he acknowledged the spot as
being holy ground.
The four temples that were built in honour of his visit are Govind
Deva, Madan Mohan, Gopinath, and Jugal Kishore. The first is an
impressive edifice built in red sandstone. Architecturally this temple
is one of the finest in North India.
However, apart from its history, what keeps Vrindavan alive in the
popular imagination of the people is its rich legend and mythology.
Vrindavan is considered the place where Lord Krishna spent his early
childhood. It was here that Krishna indulged in adolescent pranks with
the gopis (milkmaids) in the forests and stealing their clothes while
they bathed in the river.
Banke Bihari Temple
This temple was established by Haridas Swami, a contemporary of the six
Goswami's. He discovered the Banke Bihari Deity at Nidhivana, where
Banke Bihari was originally worshiped. Banke Bihari was moved here when
this temple was constructed in 1864. This is the most popular temple in
Vrindavana, especially in the month of Sravana, during Jhulan Yatra. The
curtain before the Deities is not left open like at other temples. Every
few minutes the curtain is pulled shut and then opened again. The
Dieties do not get up until 9 am. The temple has mangala-arati only one
day a year. Only one day a year can the lotus feet of the Deity be seen,
on Akhyaya Tritiya.
HARE RAMA HARE KRISHNA, this name is probably amongst the first things
that spring to a westerner's mind when one thinks of India or the
spirituality connected to it. A.C. Bhaktivedanta Swami Prabhupada (also
known as Srila Prabhupada) established the movement officially known as
the International Society for Krishna Consciousness (ISKCON) in 1966.
The society has since developed into a worldwide confederation of 6,000
temple devotees and 190,000 congregational devotees. It comprises of
more than 350 centers, 60 rural communities, 50 schools and 60
restaurants spread all across the globe. The aim of the society is to
"promote the well being of society by teaching the science of Krishna
consciousness according to the Bhagavad-Gita and other ancient Vedic
scriptures of India."
Braja Mandala Parikrama
Every year in Kartika (Oct/Nov) ISKCON puts on a Braja Mandala parikrama.
It is a one-month walking tour that goes to all 12 forests in Vrindavana.
The parikarma visits most of major place in the Braja area including
Mathura, Radha Kund, Varsana, Nandagrama, Gokula, Vrindavana, and
Govardhana Hill. It is traditional to do this walk in bare feet,
although shoes are permitted.
Krishna Balarama Mandir
This beautiful temple has Deities of Gaura-Nitai (left altar), Krishna
Balarama (middle altar), and Radha-Shyama-sundara (Radha-Krishna on
right altar). In front of the temple is the Samadhi Mandir of His Divine
Grace A.C.Bhaktivedanta Swami Prabhupada, the Founder Acarya of the
International Society for Krishna Consciousness (ISKCON). This is where
his body was laid to rest after he left this world and returned to the
This is the most sacred river in Indian. The main reason it is so sacred
is because it flows through Vrindavana and Mathura, and was thus
intimately connected to Lord Krishna's pastimes. One who bathes in the
Yamuna can be purified of all sinful reactions and attain love of
Lord Krishna killed the Kesi demon here. Kesi Ghat is on the bank of the
Yamuna. If you bath here you get the benediction of bathing in all off
the holy places. There is an arati performed here every day at sunset.
This temple was built in 1590 and took several thousand men five full
years to build. The original Govindaji Deity was found about 450 years
ago by Rupa Goswami. Govindaji was removed from this temple when the
Muslim emperor Aurangzeb tried to destroy it. The original Deity is now
in Jaipur, in a temple right outside the King of Jaipur's palace.
This temple was originally seven stories high, with an altar of
marble, silver and gold. A sculptured lotus flower weighing several tons
decorates the main hall. On meeting Rupa Goswami, Man Singh from Jaipur,
a general in Emperor Akbar's army, built this magnificent temple.
Aurangzeb and his army later destroyed part of the temple. When few
stories remained, all of a sudden the ground began to shake violently
and Aurangzeb's men were terrified and ran for their lives, never to
The Deities on the altar in this temple are Govindaji in the middle,
to His left is Lord Caitanya, and to His right is Lord Nityananda. Below
are small Radha and Krishna Deities. Below Them are Lord Jagannath and a
Madana Mohana Temple
The original Deity of Madana Mohana was discovered at the base of an old
vat tree by Adaita Acarya, when visited Vrindavana. He entrusted thje
worship of Madana Mohana to His disciple, Purusottama Chaube, who then
gave the Deity to Sanatana Goswami. Sanatana Goswami spend 43 years in
Vrindavana. Worshiped along with Madana Mohana are Radharani and Lalita,
who were sent to Vrindavana by Purusottama Jena, the son of Maharaja
This 60 foot high temple was opened in 1580 on a 50 foot hill called
Aditya Tila, next to the Yamuna. Ram Das Kapoor paid to build the
temple. One day a ship he owned, loaded with merchandise, went aground
in the Yamuna. He was advised by Sanatana Goswami to pray to Madana
Mohana for help. The ship came free and the owner of the ship made a big
profit, which he used to built this temple.
This temple was founded by Jiva Goswami. The main Deities here are Sri
Radha-Damodara. Other Deities worshiped here are the Radha-Vrindavana
Candra Deities of Krishna Dasa Kaviraja Goswami, the Radha-Madhava
Deities of Jayadeva Goswami, and the Radha-Chalacikana Deities of
Bhugarbha Goswami. The original Deities were all moved to Jaipur. When
the original Deities are moved, the replacement Deity is called a
pratibhu-murti and is considered as good as the original Deity.
In this temple you can see the Radha-Vinod Deities of Lokanath Goswami,
Radha-Gokulananda Deities of Viswanath Cakravarti, Caitanya Mahaprabhu
Deity of Narottama Dasa Thakur, Vijaya Govinda Deities of Baladeva
Vidyabhushana, and the Govardhana-shila given by Lord Caitanya to
Raghunath Dasa Goswami. The samadhis of Lokanath Goswami, Narottama Dasa,
and Viswanath Cakravarti are in front of the temple. Viswanath
Cakravarti arranged to have this temple built.
The Deity of Gopinath was discovered at Vamsivat by Paramananda
Bhattacarya, who entrusted the Deity's worship to Madhu Pandita. On the
altar are deities of Srimati Radharani and Her sister, Ananga Manjari,
Madhu Pandita's samadhi is next to the temple.
Gopinathji was originally installed in Vrindavana by Vajranabha, the
great grandson of Krishna. When the Muslims raided Vrindavana, the
original Gopinath Deity was taken to Jaipur. The Gopinath Deity in
Jaipur and Lord Krishna are said to exactly resemble each other from
Their shoulders down to the waist.
Radha- Raman Temple
Gopal Bhatta Goswami established this temple. The Deity of Sri Radha-Raman
was manifested from one of Gopal Bhatta Goswami's shalagram-shilas on
the full moon day of Vaisakha (April/ May) in 1542. This event is
celebrated every year (May) by bathing the Deity with 100 litres of milk
and other auspicious items. The remnants of this abhiseka (bathing) are
like nectar. Gopal Bhatta Goswami's other shalagram-shilas are worshiped
on the altar here. The appearance place of the Sri Radha-Raman Deity is
next to the temple. Radha-Ramanji is one of the few original Deities of
the Goswami's still in Vrindavana. The standard of worship in this
temple is very high.
These are the Deities of Syamananda Prabhu. Darshan is from 8.30 to 11
am and 5 to 8 pm. It is one of the seven major temples in Vrindavana.
Syamananda's samadhi is across the street and down from the entrance of
Seva Kunja (Nikunjavan)
Krishna would massage Radharan's feet and decorate Her hair with flowers
here. Once Krishna pushed His flute into the ground here and created a
small kund, called Lalita Kund, to satisfy Lalita Sakhi's thirst. No one
is allowed within the enclosure at night. The numerous monkeys that are
there during the day also leave at night.
Sona Gauranga Temple
These Deities were worshiped by Jagannath Dasa Babaji. They are located
in a person's house next to Prema Talkies cinema in the lane opposite
the Radha Gopinath Temple.
Gopiswara Mahadeva Temple
The Siva-linga in this temple was installed by Vajranabha, the great
grandson of Krishna. Every morning from 4 am to noon, thousands of
people pour Yamuna water over the linga. It is said that the big pipal
tree here is a kalpavriksya tree and will fulfil all desires. This
temple is in the Vamsivata area.
Krishna rested here after killing the Kesi demon. Lord Caitanya also
rested here. Some people say that the Gopis' clothes were stolen here by
Krishna and other say that this pastime happened 14 km up the river.
Sri Caitanya Mahaprabhu would come daily to Imli Tala to chant japa,
when He was living in Vrindavana. Imli Tala means the shade of the
tamarind tree. Imli means 'tamarind' and tala mean 'tree'. There is a
small temple here with Gaura-Nitai and Radha-Krishna Deities.
It is customary for devotees to walk around the town of Vrindhavana.
There is a parikrama path that goes around the town. This path is one
street over from the ISKCON temple. It takes two or three hours to go
around the town.
Kali Temple Kolkata
Kali Temple Kolkata
Address :- Situated on Eastern bank on of Hoogli river.
City :- Kolkata
State :- West Bengal
Location :- East India
has for ages being associated with massive fan following for Goddess
Kali. The story-legend has it that while carrying Sati's burnt remains
from Daksha's Yagna, Shiva dropped the right toe of Sati here. Sati's
father had set up to perform a major yagna and everyone was invited
except for his daughter and son-in-law, as he had never liked Shiva.
located in South Calcutta, on the banks of Hoogly whose presiding deity
is Goddess Kali and was rebuilt in 1809 from which the present name
Calcutta comes to the city and since then it has been an important
pilgrimage site. The original building was renovated in 1971.
temple complex, built between 1847 and 1855, had as its centerpiece a
shrine of the goddess Kali, but also had temples dedicated to the
deities Shiva and Radha-Krishna. A scholarly and elderly sage was chosen
as the head priest and the temple was consecrated in 1855. Within the
year this priest died and his responsibility passed to his younger
brother, Ramakrishna, who over the next thirty years would bring great
fame to the Dakshineswar temple.
Konark Sun Temple
chariot with 24 wheels and 7 horses carrying Surya, the Sun god, to
Heavens! Yes, that's what the giant structure of the Konark Temple
depicts. Raja Narasimhadeva, after a military victory, decided upon
erecting such a gigantic edifice. Since, the ruler was a worshipper of
the Sun god, the temple was made to stand in dedication of Surya, the
Sun god. The word Konark is a combination of two words - Kona (corner)
and Arka (Sun). Konark had the distinction of being one of the earliest
centres for worshipping Sun god. The antiquity of the temple may be
proved by the fact that it has references in the Puranas as Mundira or
Mundirasvamin that was later replaced by Konaditya or Konarka.
History says that Konark was once a thriving port of
Kalinga and had trade relations with Southeast Asian countries. Built
during 1238 and 1264 AD, the temple fell upon bad times during the 17th
century after being profaned by an envoy of the Mughal emperor Jahangir.
The temple is now in a state of desertion. Its wheels and horses as they
draw the chariot also symbolise the passage of time. Exquisite carvings,
beautifully carved sculptures, bas reliefs and thousands of images
render the Sun Temple of Konark a much desirable destination to visit.
Myths and legends impregnate the whole city of Konark. There could be
cited a number of reasons for the emergence of the temple. According
to a legend, Samba, the son of Lord Krishna took great pride in his
beauty. So much that he once committed a mistake of ridiculing a sage
called Narada. The sage, bursting with rage, hit upon an idea to teach
Samba a lesson. Somehow, the sage lured the boy to a pool where his
step mothers, the consorts of Lord Krishna, were having bath. As
Krishna got to learn of this immoral activity, he was inflamed and
cursed his son with leprosy. However, before long, lord Krishna came
to know that it was all a premeditated plan of the mischievous Narada.
He suggested to his son that he go and worship the Sun god, the healer
of all diseases. Samba followed the advise and spent 12 long years of
penance and worship. Eventually, Surya instructed Samba to go and take
a dip into the sea at Konark. So did the afflicted boy and
surprisingly enough his leprosy was cured. Elated Samba made up his
mind to built a temple in honour of Surya at the very spot. And that
was how the temple came into being.
Representing Orissa's medieval architecture, the colossal structure of
the Sun Temple is mostly dilapidated. Each of the 24 wheels of the
chariot measures 10 m in diameter, covered with intricate carvings.
Interesting to know is the fact that the spokes of the wheels serve as
sun dials. The shadows of the spokes show the different times of the
day. The walls of the temple are embellished with carvings, sculptures
and bas reliefs. Hundreds of thousands of images of gods and goddesses
along with social life scenes from the 13th century are displayed on
the walls and interiors of the temple. Curved towers with cupolas are
worth watching. Besides, the pyramidal roof built in sandstone are
also to be noticed. The temple has an east west alignment and its
location close to Bay of Bengal lends much enchantment to the overall
The Sun Temple complex is also the venue for the Konark Dance
Festival. The festival is held in the Natya Mandi or the Dance Hall.
If you could plan a trip during the first week of February, you can be
witness to the splendid performances of Indian art forms like Odissi,
Bharatnatyam, Manipuri, Kathak and Chau. The grand festival sees a
huge influx of art connoisseurs and vacationers from across the
country and the world. Far famed classical dancers put up performances
enlivening the cultural spirit of the country.
The Sun Temple lies in the eastern Indian state of Orissa. The Biji
Patnaik Airport at Bhubaneswar provides regular links with places like
Delhi, Mumbai, Kolkata and Chennai. Bhubaneswar and Puri are the
nearest railways stations. Private buses link the city of Konark with
all the major cities and towns of the state.
It's time now for you to embark on a trip that brings to you the
ancient medieval temple architecture of Orissa. Load yourself with
interesting legends, know the Hindu mythology and explore the telling
ruins of the Konark Sun Temple.
Location : 67-km from Chittoor in Chittoor district
Famous For : Architecture and Festivals
Ideal Time To Visit : October To March
¤ A Sacred Monument
Considered as the most sacred and the richest temple in the world,
Tirupati temple is situated in the town of Tirupati. It is located 67-km
away from Chittoor in Chittoor district of southern Andhra Pradesh. Also
known as Tirupati Balaji Temple, it is a major pilgrimage center of
south India. Besides, Tirupati also focous on other attraction of this
place, the ancient and famous shrine of Sri Venkateswara, the Lord of
Seven Hills are worth a viist.
The temple is located on a hill at Tirumala. It is a conglomeration of
seven hills known as Seshachalam or Venkatachalam having an height of
853m (2,800ft.) above the sea level. The temple boasts of a vibrant and
colorful culture also speaking volumes about its grand past. It is an
important pilgrimage center, where devotees stand for long hours waiting
to get a glance of the presiding deity.
¤ Highlight of The Temple
The temple is the most popular and most visited temples in India. Being
situated on a hill of Tirumala, it is climbed up by pilgrims, which is
not an easy task.
Sri Venkataswara temple or the Tirupati temple is the richest temple in
India. It is said that people drop bags of diamonds at the feet of Sri
Venkataswara. Devotees flock this temple in huge numbers. In fact there
are two lines to enter the temple, one is a free line, where you don' t
pay anything to get a view of the deity. But, for the second line, which
takes less time to get a glance of the deity, you have to pay a minimum
amount of Rs. 50.
¤ Temple Architecture
The ancient Tirupati temple follows the Dravidian style of architecture.
The gopuram of this temple is its highlight. The 'Vimana' or Cupola,
named the "the Ananda Nilayam" is placed over the sanctum sanctorum. It
completely veiled with gold plate.
There are three 'Prakarams' or enclosures in the temple, among them the
outermost enclosure boasts of the 'Dhvajastambha' or the banner post.
Apart form these, other highlights of the temple are the statues of
Vijayanagara king, Krishnadevaraya and his spouse. There is also an idol
of Todarmal, the minister of Akbar.
The image of the temple deity represents both Lord Vishnu and Lord
Shiva. Lord Vishnu is considered as the preserver whereas the Lord Shiva
is considered as the destroyer in Hindu religion.
¤ A Day At Tirupati Tirumala
A day at Tirupati Tirumala temple begins with 'Suprabhatam' (awakening
the Lord) as early as three in the morning. The day ends with the 'Ekanta
Seva' ( putting the Lord to sleep) at around 1 O'clock in the night.
Prayers are offered daily, weekly and periodically in the form of 'Sevas'
and 'Utsavams' to the Lord. Devotees who want to pay homage to the Lord
can do it by giving a small amount in return of the Sevas or Utsavams
done on their name. The gifts and donations offered to the deity, is
known as the 'Hundi'. It is the main source of income of the Temple.
Tirupati Tirumala Balaji Temple celebrates many festivals but the annual
festival of 'Brahmotsavam' is particularly important. This festival is
celebrated extravagantly for nine days in the month of September every
year. The Garudostavam and Rathotavam rituals take place on the fifth
and sixth day of the festival. Thus, attracting flocks of tourists and
devotees to the temple.
¤ Reach Tirupati Temple
By Air : The nearest airport is at
Renigunta(15 kms). Tirupati is connected by air with Hyderabad, Chennai
and Bangalore. From the airport you can hire a taxi or an auto rickshaw
or you can take a bus to reach the temple.
By Rail : Tirupati temple is well connected by roads and proper
transport services to the nearest railway station situated at Tirupati.
This place is connected by rail with Hubbi, Hyderabad, Chennai, Kolhapur
, Mumbai, Puri, Tiruchirapalli, Varanasi and Vijayawada.
By Road : To reach Tirupati temple, one should first reach
Tirupati. It is linked with important cities like Hyderabad (617),
Banglore(248), Chennai(151 km), Vijayawada(380 km) and Lepakshi (379 km)
through good roadways.